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Dec 03 2011
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Fraser Fifield | Newsletter
Fraser Fifield News

Hello,


Welcome to your second but alas final newsletter of 2011, providing an updated glimpse into some of the recent musical activities of Edinburgh based eclectic musician, Fraser Fifield, me.


To look ahead just briefly, I'm looking forward to doing a duo gig with Graeme Stephen at the Celtic Connections Festival  on 21st January 2012. We're planning a bit of time to rehearse and write this month so hopefully some results will appear on the Glasgow gig.  Do make it along if you can. Graeme and I plan to release a new album in 2012 also...that just for the outer reaches of your info radar meantime, more later. 


 

bug rocWith Graeme, I enjoyed performing in a diverse list of destinations once again throughout the year.  Acert, Portugal and Islay Jazz Festival at the Laphroaig Distellery were memorable concerts, as were those at the Rochester Jazz Festival, USA to and from which we saw a section of New York state through the window of a train. Here (left), Graeme displays appropriate levels of job satisfaction mixed with the prospect of starting our badly planned journey back home, via Penn Central, Newark and Belfast. 


I'm excited to be a part of Take 5 Europe 2012. One of two UK musicians (along with Tom Arthurs) to be selected for this artist development scheme run by Serious, we'll meet and play with 8 other musicians: Céline Bonacina, France (saxophones), Benjamin Flament, France (vibraphone/percussion), Bram Stadhouders, the Netherlands (guitar), Oene van Geel, the Netherlands (viola), Gard Nilssen, Norway (drums), Ole Morten Vagan, Norway (bass), Maciej Garbowski, Poland (bass), Maciej Obara, Poland (alto saxophone), Tom Arthurs, UK (trumpet/flugelhorn) . Take Five Europe has a website with more info here


 

opera house

Back in March this year I went to Aust-  womad nz
ralia and New Zealand with the popular, certainly there anyway, world music fusing band Afro Celt Sound System.  Stepping in for their whistle/keyboard player, we did some memorable gigs including Womadelaide, the Opera House, Sydney and Taranaki, NZ.  It was also a pleasure to meet and work 
with one of my favourite singers, Iarla O' Lionaird.

 


My friends the Hidden Orchestra have had a busy year gigging round Europe at a tremendous rate. They invited me along on several trips.  I'm not really that up for camping when it comes to gigging, an opinion formed at the little festival they have in June near Glastonbury, but am certainly up for more of the likes of North Sea Jazz, Jazz Sous Les Pommiers, Sofia, Copenhagen, Stuttgart and many other great (mostly jazz) festivals we visited.  The band also play at Celtic Connections festival on 2nd Feb where some new material will be revealed. 


swiss ho


James Ross invited me to be a part of his composition The Boy and the Bunnett twhich is a Peter and the Wolf like tale involving a small folk ensemble and narrator, designed for children and adults alike in either Scots or Gaelic, successfully premiered in the latter tongue at the Blas Festival, Inverness in September and recently recorded for future release.


 

Stepping in for violinist Greg Lawson, who was tied up with SSO proms gigs, it was a pleasure to play with Moishes Bagel again in the summer in Kracow,  Namest nad Oslavou and Sidmouth.   A shame Greg's never there when I am, but a gig has come in playing bagpipes in a piece with the SSO in April so we'll hook up then...if it's good, I'll report back in due course.   


As it stands 'Broken Click Track' only did one gig, but it was a glorious one, closing the dance tent at Towersey Festival in August.  The idea of Martin Green (I think), accordionist of Lau, 'BCT' combined two trios - Martin's own and his wife Inge's (Thomson), making a total of 5 musicians and a lot of electronic gadgetry onstage. Karine Polwart also leant a hand on the gig. Hopefully we'll do a 2012 gig too. 

fair isleMartin, Inge and I also spent   F.I. gigsome memorable days (and flights on and off) on the islands of Fair Isle and Shetland, performing for the Tall Ships race participants, those who made it that far on time, and locals too. The tent was the gig venue in Fair Isle, pictured in calmer times. Come the night of our performance a breeze had picked up and there was a pick-up truck tied to it, hanging down the slope, preventing our nice gig blowing away. 


Still available on the BBC website is Calum MacCrimmon's 'When Birds Migrate', one of a series of commissions by Radio Scotland's Global Gathering/ Creative Scotland with an islands theme. I was involved playing soprano, whistle and kaval alongside some heartfelt chanting, whooping and other instruments, influence drawn from Canada's east coast Mi'kmaq tribe alongside our own.  Turned out nice.


My Youtube channel is becoming slightly more respectable these days with a variety of clips added over the months. Please have a look and share atwww.youtube.com/tanarrecords


I wish you a happy and peaceful end to this year and a continuation of that exact same vibe well into the next. 


All the best for now,


Fraser


ps: I have 4 CDs for sale on my website all throughout the looming shopping festival and beyond, perhaps the easiest present out there to wrap...

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Sep 28 2011
Take 5 Europe


I'm very happy to tell you I've been selected to take part in the first edition of Take 5 Europe

More on exactly what Take 5 Europe is below, but I will say this: it's at the very least a chance to collaborate with 9 other amazing musicians, 2 each from UK, Norway, Poland, France and the Netherlands in the inspiring musical company of John Surman, with the possibility of performances in a number of great festivals throughout the participating countries...  I've copied from the new Take 5 Europe website below which explains the scheme far more lucidly than I could, suffice to say that this is a very exciting opportunity indeed and I consider myself very fortunate to have been selected.

I'll post further news here as we go on, but for now, sincere thanks go to all involved in making this happen, including the Jerwood Charitable Foundation and PRSF for funding my taking part.



The musicians involved are



Benjamin Flament  vibes/perc France

Bram Stadhouders guitar Holland

Céline Bonacina saxophones France

Fraser Fifield whistles/pipes/saxophone UK

Gard Nilssen drums Norway

Maciej Garbowski bass Poland

Maciej Obara alto saxophone Poland

Oene van Geel viola Holland

Ole Morten Vågan bass Norway

Tom Arthurs trumpet/flugelhorn UK


What is Take Five: Europe?

Take Five: Europe is an exclusive programme for innovative composers, instrumentalists, conductors and vocalists embarking on significant international careers. Participants will have the chance to take ‘time out’ from their work to expand their professional networks and gain greater awareness of musical opportunities across Europe.

Serious first developed the UK version of the Take Five scheme in 2004. Take Five: Europe builds on this success and consists of two musicians per country per year from France, the Netherlands, Norway, Poland and the UK who were selected from forty shortlisted artists. (For more information on Take Five, click here)

Each artist will benefit from inspiring one-to-one sessions to identify their needs and particular areas of interest. Additionally, during a motivating week-long residency, the musicians will come together to explore recording, publishing, funding and communication strategies, as well as having the opportunity to work together creatively and compose new work.

Collaborations between participating artists will be encouraged and there will be exciting opportunities to perform at high profile festivals and venues across Europe, including Jazz sous les Pommiers, Banlieues Bleues and La Dynamo in France; North Sea Jazz Festival in the Netherlands; Molde Jazz Festival in Norway; Jazztopad in Poland and London Jazz Festival in the UK.

A panel of industry experts participated in the selection process, considering the following for each candidate: creativity, future potential on the European jazz scene, style of music, range of influences, geography, cultural background and distinctive contribution to the European community. The panel included representatives from each of the partner organisations.

The insights provided by Take Five: Europe will be invaluable at a crucial stage in the musicians’ careers. In recognition of this, the programme will be documented in words and images and the website will be updated frequently